Originally,
Jagannatha was worshipped as Nila Madhava by an aboriginal chief secretly at
this spot, while it was covered with dense forest, Students
loan consolidation interest rates. It was Indradyumna, who made
him a public deity. The story goes, there
was a king in Malwa in central India, Indradyumna by name. He was a great
devotee to Visnu. For those who are not acquainted with the names of Hindu gods
and goddesses, it may be stated here that the Hindus believe in the cosmic trio
namely Brahma, Visnu and Siva. Brahma is the creator of the universe, Visnu is
the sustainer and Siva is the destroyer. Indradyumna developed in him a rather
queer and eccentric desire to see Visnu in his most perfect form on the face of
the earth. He had a divine communication in dream that Visnu could be seen in
his best form in Utkala (another name of ancient Orissa), Los Angeles Criminal Attorney. So, he deputed
Vidyapati, the brother of the royal priest, to spot out the place where Visnu
had such a manifestation and to report his findings to him. Accordingly,
Vidyapati visited Orissa and after laborious search, came to know that Visnu
known by the highly connotative name of Nila Madhava, was being worshipped
somewhere on a hill in a dense forest. This was also an image of extraordinary
lusture. Vidyapati could also know that Nila Madhava was the family-deity of
Visvavasu, a Savara (an aboriginal tribe) chief. So great was the secrecy
maintained about the location of Nila Madhava that Visvavasu refused on request
to show Vidyapati the place of his worship. Later still, this Brahmin married
Lalita, the daughter of the aboriginal chief, but even then, he was not shown
the deity. At last, at the request of his beloved daughter, he took his
son-in-law blindfolded to a cave on a hillock where Nila Madhava was being
worshipped. As Vidyapati was made to go through the forest on foot, he could
somehow manage to drop mustard seeds on the ground. As the seeds germinated
after a few days, Vidyapati could easily trace the way to the lonely cave of
Nila Madhava.
Thereafter, Vidyapati
returned to Malwa and described his experiences to Indradyumna who immediately
set out on a pilgrimage to Orissa. But, lo ! when he reached this holy land, he
found that Nila Madhava had miraculously disappeared. When he was thus in a state of deep sorrow,
he received a divine direction to go to the sea-shore at Puri and to draw
ashore a log of wood that would be floating on the waves. From this divine log,
the body of Jagannatha, who is no other than Visnu himself, was to be
fabricated in a befitting manner. All
this came to pass as per the divine indication and a log of wood brought from
the sea was ready for fabrication of the image of Jagannatha out of it. But
there was none to be entrusted with the work, since nobody could say that he
had seen Visnu and could convince the king as to how Visnu could be fabricated
in his best form out of a log of wood. At last, Visnu took pity on his great
devotee an appeared before him as an old carpenter. After some discussion, he
could evoke confidence in the king about his capabilities. As per his
suggestion; it was decided that he should be allowed to remain in a closed room with the log of wood
for long twenty one days to do the needful. He gave a severe warning that under
no circumstances should he be disturbed or the door be opened within the
specified date. The story goes, after fifteen days, Gundica, the queen, being
very kind-hearted, could not resist the temptation to persuade the king to open
the door as she apprehended that the carpenter might have died by then, as, no
sound of any kind was heard from within. Thus, when the door was opened at the
king's command, no trace of the carpenter could be found and all that could be
seen was a set of four wooden images in incomplete form, i.e., the form in
which we see and worship the images of Jagannatha, Balabhadra, Subhadra and
Sudarsana at present.
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