The
Jagamohan or Mukhasala is a Pidha temple, i.e., a structure with pyramidal
roof. It consists of Pidhas or horizontal platforms receding in size as they go
up-wards, California mesothelioma attorney. The Jagamohana seems to have stood on a Pitha or platform like the
Vimana, but its traces are not visit owing to later constructions. The Bada is
Pancharatha in plan and consists of five usual elements. But the details of
carving on the Mundis or miniature temples and the niches of the Mundis
including the images therein can not be seen due to application of plaster on
them. It is also not possible to know the decorative motifs, the sculptural
arts, the mouldings in different elements and even the architectural design due
to such heavy pleasteiing. But the Gandi is made of thirteen Pidhas arranged in
two Potalas or tiers of seven in the lower and six in the upper diminishing in
size as these proceed from bottom to top. The Kanthi recess in between the
Potalas is decorated with Pidha-mundis, pilasters and images of Mandiracharini.
In each side and in each of the two Potalas there are miniature Pidha Mastakas
surmounted by Udyata lions, the lion in the upper tier being larger that of the
lower. The Mastaka consists of the usual elements of Beki, Ghanta, Amla Beki,
Amalaka, Kalasa and Ayudha, which is a disc.
The
roof of Jagamohan stands on four square, pillars, home mortgages for bad credit. It has two gates, one leading
to the south and the other to Natamandir .The latter is considered as the main
entrance. It is known as Jaya Vijaya gate, but the images of the Dvarapalas.
Jaya
and Vijaya are conspicuous in their absence. The door frames of both the gates
are ornately decorated with different kinds of floral designs and Naga- Nagi
figures. Navagraha figures adorn the upper architraves. Figures of Brahma and
Siva on the southern gate are more prominent. Scholars are tempted to believe
that the Jaya-Vijaya gate (main gate of Jagamohan) was reconstructed at the
time of the construction of the present Natamandir.
The
Bhogamandap (earlier Natamandir), is a Pidha deula with a high pedestal. The pedestal consists of five divisions. But
the elements do not confirm to the specifications given in the architectural
texts of Orissa, I though these are richly carved. Rather there. is a similarity
tbetween this structure and the N atamandu of Konarka temple in Orissa.
Depiction of Krusna's entire life- story : at the top of the pedestal in a row
is quite striking. The projections in the Bada portion are not quite prominent,
but the profuse ornamentation of Bada adds to the grandeur of the structure.
There are figures of Rama Abhiseka, rowing of boats, Jagannatha-Mahisamardini-
Sivalinga worship, Siva in Tandava dance posture etc., carved on separate
chlorite slabs. Besides there are several more chlorite figures in different
places of the Bada.
The
Gandi shows a Pidha order with three Potalas. The Potalas consist of five, four
and three Pidhas as we count from the bottom. Huge figures of projecting lions
appear in each Potala. The Gandi is Pancharatha in plan like that of Jagamohana.
The Mastaka is composed of the usual elements, except that a brazen pot is
placed on the top of fit.
The structure stands
on four pillars and the interior is left entirely undecorated in contrast to
the exterior decoratations. It has a flight of steps to the north. It is
believed that a similar flight existed in south side too, but due to
construction of the gangway from the kitchen to the Jagamohana, the steps had
to be removed at a subsequent period.
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