Annavaram is one of the
most famous Holy Shrines in India and enjoying second place after Tirupati in
Andhra Pradesh. The temple is built in the Dravidian style. The glory and
richness of Lord SATYADEVA was widely described in Revakhanda of Skandapuranam.
The presiding deity Lord Satyadeva with his consort Sri Anantha Lakshmi on one
Side and with Lord Siva on the other side took his abode on Ratnagiri, which is
named after Ratnakara, son of Meru the king of holy mountains. Like in all
Divyakshetrams as surrounded and followed by holy rivers, Sri Satyanarayana
Swamy at Annavaram is also followed by sacred Pampa River touching the feet of
the hill. Lord Satyadeva the god of truth is showering his eternal blessings on
mankind in his beautiful manifested form of the DIVINE TRINITY namely Hari Hara
Hiranya Garbha Thrimurtyatmaka. Hence this is the temple that is attracting the
Pilgrims of both Vishanava and Saiva devotees and thousands of pilgrims from
all over the Country are worshiping Lord Satyadeva every day forgetting all
sectional differences.
Enriched by the installation of SRIMATHRIPATHVIBHUTI VYKHUNTA MAHA NARAYANA
YANTRA, which plays a dominant and important role with the power of attraction
of both money and men (Dhana Janakarsha). The Peetham of Swamyvaru is highly
adorned with the installation of Panchayatana, befitting the glory and sanctity
of the deity.
This
famous yantra is a unique one, the like of which does not exist any where else
in India.
STHALAPURANAM
AND STORIES BEHINDTHETEMPLE&LEGENDS:
It
is believed that the place was known for constant food distribution (free
feeding) by the benevolent people of the locality and that therefore the place
was called by the name Annavaram(annam means food in Telugu). Another version
is that because the presiding deity of the place blesses the devotees with
anina varam (pronounced or wanted boon), the place is called Annavaram.
The hillock by the side of the village is considered to be very sacred. Meruvu,
the lord of the hills and his consort Menaka did great penance and begot two
sons by the grace of Lord Vishnu. One was named Bhadra and the other Ratnakar.
Bhadra pleased Lord Vishnu with his devotion and penance and with his grace
became Bhadrachalam on which Lord Sri Rama had permanently settled. Ratnakara
desired to emulate his brother and succeeded in pleasing Lord Vishnu by his
penance to settle on him as Veera Venkata Satyanarayanaswamy, Ratnakara
remaining as Ratnagiri (hill). Ratnagiri Hill ranges are said to be connected
with two strategic incidents. Tradition says that Sri Krishadevaraya of
Vijayanagar used the secret underground passages in the hills to attack the
enemy from both sides during his invasion on kalinga kings. The Andhra
revolutionary late Alluri Seetharama Raju had some of the secret quarters for
himself and his followers in these hill ranges, when he rebelled against the
British Rule.
The temple of Sri Veera Venkata Satyanarayanaswamy is the main temple on the
Ratnagiri hill. There are also a temple of Sri Rama and the shrines of Vana
Durga and Kanaka Durga nearby. The temple of gramadevatha"Nerellamma"
(village deity) is in the village at the foot of the hill.
It
is said that one Brahmin of the village by name Earanki prakasam got a dream
wherein lord appeared and told him that his vigraha was left abondened on the
hill without worship and they shall trace it and reconsecrate it. That Brahmin
informed the said fact to Sri Raja I.V.Ramarayanam,the then Zamindar of Gorasa
of kirlampudi estate, and both of them along with other villagers traced the
idol on the hill, worshipped it and installed it. at the present spot on
Sravana Suddha Vidiya of the Telugu year Khara (i.e.) 1891 A.D (Fasli 1301).
"The main temple was constructed on the hill with the pleasing and distant
view of Bay Of Bengal (11 miles) on one side and the row of Eastern Ghats on
the other side the green fields alround the hills and the pampa River
encircling Ratnagiri.The hillock itself is about 300 feet above the sea
level.About 300 well - laid stone steps lead to the top of it.
Initially a small shed was constructed in 1891 when the idol was found. Later a
temple was built in course of time with the cooperation of villagers and other
devotees of the near by villages. Subsequently the temple was reconstructed
during 1933-34, with locally available stone. Later when the same reached
dilapiated condition, it was reconstructed during 2011-2012.
The
main temple is constructed in the form of a chariot with the four wheels at
each of the four corners. In front of the main temple is the kalyana mantapa,
constructed and decorated with modern pieces of architecture. As we go down the
way,we come across Ramalaya and then the shrines of Vana Durga is held in great
veneration and Devi is said to be seen even to this day in the nights, going
about the holy precincts perpetually guarding the Lord's premises.
The Akriti of any temple is, according to the Agni Purana, merely a
manifestation of the Prakriti. This idea is further developed in the ancient
texts, and the entire Slipa Sastra is based on the principle that the wall and
the vimana of the temple should be so constructed as to remind a devotee, of
the universe, and the Lord inside representing the Supreme Spirit which is the
core and being of the entire Universe. According to these tests, the chariot is
intended as a symbol of the seven lokas underneath, and the seven lokas above,
with the garbhalaya of the Lord, at the heart center ruling over the entire
universe. The temple at Annavaram has been constructed to depict this idea
concretely. The front side of the temple depicts the chariot. The Meru on the
floor with the pillar at the center, and the idols at the top are intended to
bring forth the idea that the Lord not only remains at the heart's center but
also permeates the entire universe. The wheels depicting the Sun and the Moon
serve to remind us that this Jaggernaut moves on the wheels of time, and goes
on forever and ever. Thus the Annavaram temple satisfies both the ritualistic values
and the spiritual aspirations of its devotees.""
The idol is about 13 feet high in a cylindrical form, the base being in the
lower sanctum representing Lord Brahma and the top is in the upper sanctum
representing Lord Vishnu. The middle portion represents Lord Siva. There are
some temples representing the unity of Lords Hari and Hara in some places and
this is the place where even Brahma who is generally denied temple worship, is
clubbed with the other two, and the creator (Brahma), the protector (Vishnu)
and destroyer (Siva) are worshipped simultaneously. The image of the lord
forming a single idol representing the Trimurthis-Brahma, Vishnu and Siva is of
unique attraction.
"Moolatho
Brahma roopaya
Madhayathashca
Maheswaram
Agrathah
Vishnuroopaya
Traika
roopayathenamaha"
The temple is in two floors; the ground floor contains the yantra and the
peetham of the Lord. On the four sides of the yantra there are four deities
namely Ganapati, Suryanarayanaswamy, Bala Tripurasundari and Maheswaraswamy
which constitutes panchayathanam. In the 1st floor the Moola virat of Lord
Satyanarayana swamy is in the centre, the image of Goddess Anantha Lakshmi
Ammavaru is in the right and Lord Shiva is on the left. The idols are of
exquisite grace and beauty and are encaged in gold kavachams.". The
adjoining shrine of Sri Rama seems to be the holy spot where the original
self-mainfested idol of Sri Satyanarayanaswamy was discovered by the devotees.
Lord Sri Rama is considered to be the Kshetra Palaka of this holy abode of the
Lord Satyadeva.
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